A new controversy is rippling through Nigeria’s entertainment industry after veteran folk musician Beautiful Nubia alleged that fellow artists used elements of his original composition without permission. The singer, whose real name is Segun Akinlolu, claims that the melody from his classic track Seven Lifes appears in songs released by gospel performers, sparking widespread debate over originality and copyright enforcement.
According to him, the disputed melody can be heard in Yinka Ayefele’s track My Faith in God (Igbagbo Ireti) and in Amin by BBO. He expressed frustration that musicians continue to adapt melodies without acknowledging original creators, describing the trend as a recurring issue within the gospel music scene.
Ayefele has responded publicly, questioning the basis of the allegation and suggesting that the melody in question may not be exclusively attributable to a single composer. His reaction has intensified online discussion, with fans and commentators divided over whether the similarities amount to coincidence, influence, or infringement. As of press time, BBO has not released an official statement addressing the claim.
The dispute has triggered broader conversations among music professionals and observers about intellectual property protection in Nigeria’s creative industry. Analysts note that such conflicts highlight the urgent need for stronger awareness, documentation, and enforcement systems to safeguard artistic works in an era of rapid digital distribution. Whether the matter develops into a legal battle or is settled privately, it has already reignited debate about authorship, credit, and the fine line between inspiration and imitation.